Places /
Segment one of this program uses four paintings by Mondrian to track his migration from impressionistic and abstract landscapes to the pure geometry of Neo-Plasticism. Segment two employs Brancusi's Fish, Dame Barbara Hepworth's Pelagos, and Joseph Beuys' The End of the Twentieth Cent...
| Corporate Authors: | , , |
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| Format: | Unknown |
| Language: | English |
| Published: |
New York, N.Y. :
Films Media Group,
[2007], c2003
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| Series: | Inside the Tate Modern
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| Subjects: |