PART AND THE WHOLE IN EARLY AMERICAN LITERATURE, PRINT CULTURE, AND ART; ED. BY MATTHEW PETHERS

"The essays in this pathbreaking collection consider the significance of varied early American fragmentary genres and practices-from diaries and poetry, to almanacs and commonplace books, to sermons and lists, to Indigenous ruins and other material shards and fragments-often overlooked by criti...

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Bibliographic Details
Other Authors: Couch, Daniel Diez (Editor), Pethers, Matthew (Editor)
Format: Book
Language:English
Published: LEWISBURG BUCKNELL UNIV PRESS 2024
Lewisburg, Pennsylvania : Bucknell University Press, [2024]
Series:Transits (Bucknell University)
Subjects:
Table of Contents:
  • Machine generated contents note: Introduction: Parting with Wholes in Early American Literature, Print Culture, and Art
  • Matthew Pethers and Daniel Diez Couch
  • Part I - Partial Histories
  • Chapter 1: Reading for Unreadability; or, Embracing the Gaps in Congregational Church Records
  • Lori Rogers-Stokes
  • Chapter 2: Textural Scholarship: Susan Howe's Mary Rowlandson
  • Marion Rust
  • Chapter 3: 'Composing my resentments': Process and Palimpsest in Sarah Kemble Knight's The Journal of Madam Knight
  • Nicholas K. Mohlmann
  • Chapter 4: Fragments, Scraps, and the Formalism of the Historical Imagination
  • Daniel Diez Couch
  • Part II - Fragmentary Communities
  • Chapter 5: Reading Early American Almanacs: Imagining Unity in Parts and Pieces
  • Keri Holt
  • Chapter 6: Lists and List-Makers of the African Atlantic Archive
  • John Saillant
  • Chapter 7: Failed Periodicals, Forgotten Satires, and Alternative Forms of Dissent in Antebellum America
  • D. Berton Emerson
  • Part III - Visible Assemblages
  • Chapter 8: The Early National Picturesque
  • Laurel Hankins
  • Chapter 9: Visualizing the Incompleteness of 'Mound-Builder' Ruins
  • Lisa West
  • Chapter 10: Edward Taylor and the Art of Assemblage
  • Amy Morris
  • Notes on Contributors
  • Index
  • Machine generated contents note: Introduction: Parting with Wholes in Early American Literature, Print Culture, and Art
  • Matthew Pethers and Daniel Diez Couch
  • Part I
  • Partial Histories
  • Chapter 1: Reading for Unreadability; or, Embracing the Gaps in Congregational Church Records
  • Lori Rogers-Stokes
  • Chapter 2: Textural Scholarship: Susan Howe's Mary Rowlandson
  • Marion Rust
  • Chapter 3: 'Composing my resentments': Process and Palimpsest in Sarah Kemble Knight's The Journal of Madam Knight
  • Nicholas K. Mohlmann
  • Chapter 4: Fragments, Scraps, and the Formalism of the Historical Imagination
  • Daniel Diez Couch
  • Part II
  • Fragmentary Communities
  • Chapter 5: Reading Early American Almanacs: Imagining Unity in Parts and Pieces
  • Keri Holt
  • Chapter 6: Lists and List-Makers of the African Atlantic Archive
  • John Saillant
  • Chapter 7: Failed Periodicals, Forgotten Satires, and Alternative Forms of Dissent in Antebellum America
  • D. Berton Emerson
  • Part III
  • Visible Assemblages
  • Chapter 8: The Early National Picturesque
  • Laurel Hankins
  • Chapter 9: Visualizing the Incompleteness of 'Mound-Builder' Ruins
  • Lisa West
  • Chapter 10: Edward Taylor and the Art of Assemblage
  • Amy Morris
  • Notes on Contributors
  • Index