What nostalgia was : war, empire, and the time of a deadly emotion /
Nostalgia today is seen as essentially benign, a wistful longing for the past. This wasn't always the case, however: from the late seventeenth century through the end of the nineteenth, nostalgia denoted a form of homesickness so extreme that it could sometimes be deadly. What Nostalgia Was u...
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| Corporate Authors: | , |
| Format: | Book |
| Language: | English |
| Published: |
Chicago :
University of Chicago Press,
[2018]
Chicago ; London : The University of Chicago Press, 2018 Chicago ; London : 2018 |
| Series: | Chicago studies in practices of meaning
Chicago studies in practices of meaning |
| Subjects: |
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| 100 | 1 | |a Dodman, Thomas, |e author | |
| 245 | 1 | 0 | |a What nostalgia was : |b war, empire, and the time of a deadly emotion / |c Thomas Dodman |
| 264 | 1 | |a Chicago : |b University of Chicago Press, |c [2018] | |
| 264 | 1 | |a Chicago ; |a London : |b The University of Chicago Press, |c 2018 | |
| 264 | 1 | |a Chicago ; |a London : |b The University of Chicago Press, |c 2018 | |
| 264 | 4 | |c ©2017 | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (304 pages) : |b 17 halftones | ||
| 300 | |a 1 online resource (xi, 275 pages) : |b illustrations | ||
| 300 | |a 1 online resource (xi, 275 pages) | ||
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| 490 | 1 | |a Chicago Studies in Practices of Meaning | |
| 490 | 1 | |a Chicago studies in practices of meaning | |
| 500 | |a Description based on print version record | ||
| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a Introduction: nostalgia as a historical problem -- Nostalgia in 1688 -- The reasons of a passion -- The lost pays of the patrie -- Mothers and sons in the time of Napoleonic war -- Golden age -- Nostalgia in the tropics -- Ubi bene, ibi patria: nostalgia fin de siècle | |
| 505 | 0 | |a Introduction: nostalgia as a historical problem -- Nostalgia in 1688 -- The reasons of a passion -- The lost pays of the patrie -- Mothers and sons in the time of Napoleonic war -- Golden age -- Nostalgia in the tropics -- Ubi bene, ibi patria: nostalgia fin de siècle -- Afterword: nostalgia in history | |
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgments -- |t Introduction: Nostalgia as a Historical Problem -- |t Chapter 1. Nostalgia in 1688 -- |t Chapter 2. The Reasons of a Passion -- |t Chapter 3. The Lost Pays of the Patrie -- |t Chapter 4. Mothers and Sons in the Time of Napoleonic War -- |t Chapter 5. Golden Age -- |t Chapter 6. Nostalgia in the Tropics -- |t Chapter 7. Ubi bene, ibi patria: Nostalgia Fin de Siècle -- |t Afterword: Nostalgia in History -- |t Abbreviations -- |t Notes -- |t Archival Sources -- |t Index |
| 506 | |a License restrictions may limit access | ||
| 506 | |a Restricted for use by site license | ||
| 520 | |a Nostalgia today is seen as essentially benign, a wistful longing for the past. This wasn't always the case, however: from the late seventeenth century through the end of the nineteenth, nostalgia denoted a form of homesickness so extreme that it could sometimes be deadly. What Nostalgia Was unearths that history. Thomas Dodman begins his story in Basel, where a nineteen-year-old medical student invented the new diagnosis, modeled on prevailing notions of melancholy. From there, Dodman traces its spread through the European republic of letters and into Napoleon's armies, as French soldiers far from home were diagnosed and treated for the disease. Nostalgia then gradually transformed from a medical term to a more expansive cultural concept, one that encompassed Romantic notions of the aesthetic pleasure of suffering. But the decisive shift toward its contemporary meaning occurred in the colonies, where Frenchmen worried about racial and cultural mixing came to view moderate homesickness as salutary. An afterword reflects on how the history of nostalgia can help us understand the transformations of the modern world, rounding out a surprising, fascinating tour through the history of a durable idea | ||
| 520 | 8 | |a Nostalgia today is seen as essentially benign, a wistful longing for the past. This wasn't always the case, however: from the late seventeenth century through the end of the nineteenth, nostalgia denoted a form of homesickness so extreme that it could sometimes be deadly. What Nostalgia Was unearths that history. Thomas Dodman begins his story in Basel, where a nineteen-year-old medical student invented the new diagnosis, modeled on prevailing notions of melancholy. From there, he traces its spread through the European republic of letters and into Napoleon's armies, as French soldiers far from home were diagnosed and treated for the disease. Nostalgia then gradually transformed from a medical term to a more expansive cultural concept, one that connected to Romantic notions of the aesthetic pleasure of suffering. But the decisive shift towards a benign emotion occurred in the colonies, where Frenchmen worried about excessive creolization came to view a moderate homesickness as salutary. An afterword reflects on how the history of nostalgia can help us understand the transformations of the modern world, rounding out a surprising, fascinating tour through the history of a durable idea | |
| 533 | |a Electronic reproduction |b Berlin |n Available via World Wide Web | ||
| 538 | |a Mode of access: Internet via World Wide Web | ||
| 546 | |a In English | ||
| 588 | |a Description based on print version record | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Okt 2019) | |
| 588 | 0 | |a Print version record | |
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